Silver + ChromeBetween 1973 and 76, Mitch Epstein photographed in American citiesNew York, Los Angeles and New Orleans, among others. In 1973 he was initially shooting in black and white as a student of Garry Winogrand when he asked his teacher, Why not color? With Winogrands blessing, Epstein shot his first rolls of Kodachrome. Silver + Chrome is a chronicle of his three years alternating between color and black and white, before eventually committing to color.

Entangled encapsulates a pivotal moment for Arsenault’s work

In Flagrante documented industrial Northern England in decline

Lawson’s photographs are made in collaboration with her subjects

and that always reflects a dedication to expressing the complexity of human experience

and sustained engagement with notions of sexuality

his gaze settles on architectural details

What is left when everything is gone

Chris Killip

The photographs draw you in

suburbia or offices spaces

a Nor'Easter storm and the birth of a child

but our collaborations were spontaneous and personal